On performance, drawing, branch patterns, spreading roots, the underground, subsoil, and surface. Last summer in Normandie. Photo 1,2,6: Ophélie Brunet. Photo3: #amazonriver Nasa. Photo 4: Manu. Photo 7: Claude Boisnard.
I have been lucky enough to work in a couple of interdisciplinary projects of the emerging choreographer Ophélie Brunet (Ville de Caen), participating with her company in short-stay residencies at different institutions in Normandy between 2018-2020. But mostly for work with this centenary tree. This past summer we have presented TOPOS, a performance for a… Seguir leyendo TOPOS: a tricentennial Oak that led our spatial experience, sense of time, and movement.
What is the meter/tempo of your normal walk? How often do you blink? What is the current tempo of your breathing? What is the current tempo of your heart rate? What other rhythms do you hear if you listen? What is your relationship with all of the rhythms that you can perceive as one?. Son… Seguir leyendo Hacia un Laboratorio del Ritmo/Towards a Laboratory of Rhythm.
The Reading ROOM #3: Aparatos del Habla y Materialismo Histoerico. Con Rocío Campaña y Eliana Beltrán, comisariado de Marta Echaves para Nigredo Espacio. Madrid, Febrero 2020.